

These teabowls are part of a service ordered last year. Plates will follow.
New glazes, new ideas for 2012. Working flat-out in these cold winter months.
Tuesday, January 31 2012
Tuesday, January 31 2012


These teabowls are part of a service ordered last year. Plates will follow.
New glazes, new ideas for 2012. Working flat-out in these cold winter months.
Wednesday, December 14 2011
Wednesday, December 14 2011
Well, I have certainly been busy this Autumn. Yet another exhibition, this time with a local artist, Dudley Bennett.

Thirty ceramists, members of the Association here in La Borne, have collaborated with their chosen artists to create new works together. The exhibition will run from 10th December to 8th January and should be an exciting one.
Dudley and I have been working with porcelain and under-glaze colours to produce a set of 6 square dishes. These have been been decorated in Dudley's own unique painterly style. The delicate bowls echo the motif and my own distinctive black slip borders.
Here's a preview.
Monday, September 19 2011
Monday, September 19 2011

Sunday, July 17 2011
Sunday, July 17 2011
Here is where my new stamp will live. Just behind me, waiting for the moment of use.
This week has seen the first use in production of my wooden moulds.The first ones were bought from Canada at great expense, my friend Dan saw these and decided that he would make ones to measure.Think I owe him a few plates.
Wednesday, June 15 2011
Wednesday, June 15 2011

I saw these mould frames advertised by a company in Vancouver, Bamboo Tools, and began to use them successfully this week. They are slow to use but very precise. I bought one at 120 degrees angle, and another at 140.

A 40cm long plug of clay from my pug mill is the right amount for this mould. It is flattened with a tool for beating lead on a roof.


Here the clay has been rolled to a thickness of 10mm.


The clay is carefully draped into the mould and the edges are trimmed.

A little piece of rope to make the patterned edge.




A couple of lines to mark the borders and a curved rib to indicate the corners.


The finished piece is weighted with kiln props to keep it flat while drying.

Now I can clear the work bench. I'm off to see my bees.
Saturday, February 5 2011
Saturday, February 5 2011
I have been concentrating on using Limoges porcelain for my production pieces. This is a new departure for me since I am used to the more expensive Australian porcelain which will be kept for individual studio work from now on.
I am particularly pleased with my red glaze. Last year I had huge problems with it on stoneware. On porcelain, the colours glitter more and are purer.
The mugs are selling very well, in spite of the higher price. I have devised an espresso-sized cup in the same shape. Size: 5 x 7cms high.
The picture on the left shows the difference between an oxidised firing (mug on left) and reduction firing.
I made some tiny espresso mugs (5 x 5cms) which took flashing from the copper red glaze in the kiln. Nice to have freebies like this!
The difficulties of throwing dinner plates in porcelain have not occurred. However, the drying and turning process has to be followed carefully and delicately in order to stop warping in the firing.
I am building a range and hope my clients will like the changes as I do.
Click on the pics!
Wednesday, January 5 2011
Wednesday, January 5 2011
Today I returned to throwing after the long Christmas break. I started making some mugs on my brand new Roderveld wheel: so silent, it gives you time to think. Interestingly, my mind wandered back to 1971. The first items I threw on the momentous day when I opened my first workshop were mugs.
I make mugs as a way to get back into throwing. These days, I'm working almost exclusively in porcelain.
Click on the pics!
Saturday, December 18 2010
Saturday, December 18 2010
Next autumn I will be celebrating 40 years as a self-employed potter.
To set up my pottery in 1971, I had to borrow £1000 from a friendly gallery owner (thank you, Sandy Moore). I was a penniless, though fully-qualified potter, having just finished a ceramics course and having gained a diploma with distinction. With this loan I managed to purchase a small gas kiln, a wheel, one ton of stoneware clay, some raw materials for glazes and other light equipment. The money was all spent but I had already lined up premises in a new craft workshop complex in Newquay, Cornwall. I had 3 months to turn a ton of clay into saleable pots to pay the rent.
Today, I took delivery of another Roderveld wheel costing the same sum as I had spent 39 years ago on my entire workshop. I'm glad that I don't have to turn out mugs at the rate and the same price as I did all those years ago.
The Roderveld in the background has given me more than 15 years wonderful service and has produced literally thousands of pots. It is still a beautiful wheel but this new Christmas gift to myself is noticeably quieter. In fact, it is utterly silent and I know it will be a great pleasure to use next year. Meanwhile, the older model is still in perfect working order and will serve for many more years to come.
As you can tell, I can highly recommend Roderveld wheels!
Click on the pics!
Saturday, December 4 2010
Saturday, December 4 2010
I opened both my kilns on Friday evening, each containing only porcelain pieces.
The gas kiln has had her shelf spaces altered to give a smoother flame pattern.
I must admit that, even after all these years of experience, I was still a little nervous of the latest firings. I think it must be the Scottish blood getting even thinner thinking of the financial losses if it all went wrong. I don't know why I worry so much, the results were very rewarding: no 'S' cracks on the bases, no distortion, in fact no seconds. All in all, I am really pleased with the end results.
Now I have to wait to see whether I can make a living producing only porcelain.
Click on the pics!
Tuesday, November 16 2010
Tuesday, November 16 2010
If you have been following this blog, you will know why I am making small pots at the moment. These came out of the kiln two days ago - and what fun to place them on a mirror to double their height.
The tea bowl on the left shows my newest blue glaze with hints of green. I need to work a little more on this. For me it's a bit gaudy so I may halve the amount of cobalt carbonate to soften the blue.
On the right, my faithful pearl white glaze which needs no improvement. Just more pots.
Here are the tall boxes in close-up. I just love playing with the dangly bits. They serve absolutely no other purpose than enahncing the delicacy of the porcelain forms. More to follow.
Now we're off to the mountains to photograph for a few days.
Click on the pics!
Friday, November 12 2010
Friday, November 12 2010
After a minor heart operation, a major change in the workshop.
Huge pots are now a thing of the past and I have altered the throwing room by selling the two kick wheels. The de-airing pug mill, which has been moved from the kiln room to take their place, has only ever been used for porcelain. Now I no longer need to wedge my clay and only a small amount of effort is required to prepare it for throwing.
The cost of changing raw materials is frightening - 4 times the price. When I use an Australian clay, it is 8 times the price of stoneware. However, during my enforced 'leisure' time I came up with a reasonable price increase for the finished product.
Having arrived at the decision to work exclusively in porcelain, I find I am totally relieved and very excited by the new possibilities this brings. I already have two new glazes for 2011 and I am working on new shapes and ideas.
Photos by Christine West
Click on the pics!
Tuesday, July 13 2010
Tuesday, July 13 2010
The smell of a ripe camembert is just like the fart of a horse! So I decided to design a dish in which this wonderful cheese could be stored and matured without giving offence.
The bell cover leaves enough room for presentation of accompaniments to the cheese.
The diameter of the inner section is perfect for a whole camembert but of course for any other cheese.
The system works! I'm ready to make orders for Christmas - ask me for details - available only from my workshop at present.
Click on the pics!
Friday, June 11 2010
Friday, June 11 2010
These little porcelain boxes, 14 and 10 cms tall, are some of my third firing in the new electric kiln. The tags are new and designed to take the place of beads on some pieces.
My mini teapots, also in porcelain, are selling well. They are very fiddly to make but rewarding. They stand 7 cms high and hold one cup of tea.
I am very pleased with the results from this kiln.
Click on the pics!
Saturday, May 22 2010
Saturday, May 22 2010
I made my first ever firing in an electric kiln yesterday. It took exactly 5 hours from room temperature to 1280C with a soak of 15 minutes. This was a totally new experience, observing the kiln's behaviour via a computer, rather than watching cones and flames. Also strange was the total silence.
I suppose I found this firing atmospherically cold and so I left my little robot of a kiln wondering what the results would be.
I was surprised to see both bowls on the top shelf emerge with my turquoise glaze since I thought one of them would be'mother of pearl' - this just proves that one should take notes! For those who know my wonderful sang de boeuf (seen on my web site), this is the same glaze under oxidised conditions. The lower shelf produced a beautiful mother of pearl glazed small vase.
There will be a few changes with the next firing when I fine tune my glazes.
Click on the pics!
Thursday, May 20 2010
Thursday, May 20 2010

My daughter Jessica (in Cornwall) is increasing her range of jewellery to include porcelain earrings and necklaces. She has bought a small (20 litre) electric kiln and we are embarking on a short course - which I am teaching her by Skype!
At the same time, I have also acquired a slighter larger (50 litre) model of this Rohde kiln. I decided that it would be easier to teach the course if she operates her kiln at the same time as me since, after 40 years in the trade using wood and gas kilns, firing by electric is new to me.
Today I punched in a firing chart on the thermal computer. This is so WONDERFUL! At any given time the kiln will reach the temperature I have programmed without attention or effort from me. Obviously such a kiln will only be for a tiny new part of my work. I will continue with my dirty, big, old kiln.
New work will be shown here as soon as possible.
Sunday, May 2 2010
Sunday, May 2 2010
Finally the new Ceramic Centre was opened in La Borne after many, many years of arguing. Those who wanted the new centre have got what they wanted. Be careful what you wish for - you may get it!
Let us just hope that it won't go down the same slippery slope as Rufford and Dartington. Money and time will tell.
On a much lighter note...

Click on the pics!
Thursday, March 11 2010
Thursday, March 11 2010
Having recovered from a cough which lasted 8 weeks, giving me time to think about new work for this spring, I can now show the first batch of photographs.
While I was ill, I read on the internet that drinking ginger tea is supposed to help with a severe cough. I designed these pestles and mortars for grating ginger or for grinding spices. The compact pestle is easy to handle and works really well.
In the same vein, I wanted to make a small covered dish for the table. I'm not quite sure about the final design of this item but I think it's worth showing.
And the red teapot - well, you know how I love making tea pots!
Here are four examples of my new lidded porcelain boxes, influenced by the discovery of this sliding knot, originally from Africa. I've enjoyed making these. I wanted to make them more precious and think this is the ideal way to make a sealed container.
Click on the pics!
Saturday, January 23 2010
Saturday, January 23 2010

I spent a whole year wondering how to cover the floor in the showroom - or even whether I should cover the concrete at all.
After considering and pricing sea grass, PVC and tiling, all of which proved too expensive, I hit on the solution: carpet tiles. Easy to lay (I thought), easy to maintain (I'm told) and easy to replace (I hope).
The laying part didn't go so well in the tricky areas around the display units but I'm pleased with the finished result. Now I just have to hope that visitors will wipe their feet on the Welcome mat. I suppose I'm the worst culprit, bringing in mud twice a day after feeding the horses!
Friday, November 27 2009
Friday, November 27 2009
For those who can't make it here before Christmas, you can at least share this new show on line.
This seems to have been the year of the teapot and all things associated with the preparation of tea. The window display includes most of my teapot shapes - more of these can be viewed early next year on my web site.
Click on the pics!
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